The Standings → Gemini 3.8 Flash
high reasoning effort · via Antigravity CLI · judged by Fable 5 and Gemini 3.7 Flash and GPT-5.6 Sol · not the setting shown on the standings; also run at medium0.56
Results from run ‘first’: ten items, 30 verdicts.
The record: 10 items · 30 verdicts · 0 errors · 3,092 words on average · est. generation cost $1.67
Six dimensions, each marked 1–5, averaged over ten items and all judges.
Mean craft mark by dimension · 30 verdicts, run ‘first’
Momentum is the strongest dimension (3.53); prose the weakest (3.03). Hover or focus a bar for the per-judge means.
Each item receives one verdict from each judge; the spread of the dots is the disagreement.
Headline score per item, by judge · run ‘first’
| Item | Headline | Fable 5 | Gemini 3.7 Flash | GPT-5.6 Sol | Words |
|---|---|---|---|---|---|
| The Secret Garden item 013 · after ch. 2 · Frances Hodgson Burnett | 0.68 | 0.62 | 0.79 | 0.62 | 2,311 |
| Dracula item 015 · after ch. 5 · Bram Stoker | 0.62 | 0.60 | 0.75 | 0.51 | 2,508 |
| Leave It to Psmith item 022 · after ch. 3 · P. G. Wodehouse | 0.62 | 0.55 | 0.79 | 0.51 | 4,717 |
| The Mysterious Affair at Styles item 017 · after ch. 3 · Agatha Christie | 0.60 | 0.63 | 0.75 | 0.42 | 4,580 |
| Red Harvest item 023 · after ch. 2 · Dashiell Hammett | 0.56 | 0.54 | 0.75 | 0.40 | 2,860 |
| The War of the Worlds item 006 · after ch. 1 · H. G. Wells | 0.50 | 0.39 | 0.68 | 0.45 | 2,559 |
| The Sun Also Rises item 021 · after ch. 3 · Ernest Hemingway | 0.49 | 0.51 | 0.58 | 0.38 | 4,146 |
| The Moonstone item 011 · after ch. 8 · Wilkie Collins | 0.48 | 0.56 | 0.47 | 0.41 | 3,048 |
| The Awakening item 016 · after ch. 7 · Kate Chopin | 0.48 | 0.41 | 0.71 | 0.32† | 1,730 |
| Persuasion item 001 · after ch. 1 · Jane Austen | 0.43 | 0.47 | 0.50 | 0.32 | 2,457 |
† The widest judge split in the run: Gemini 3.7 Flash 0.71 against GPT-5.6 Sol 0.32 on The Awakening (item 016).
Words written per item, against each brief’s maximum.
Word count per item vs. brief maximum · run ‘first’
Five of ten items landed inside their brief’s word range. Leave It to Psmith and The Mysterious Affair at Styles and Red Harvest and The Sun Also Rises and The Moonstone ran over by 1,917 and 1,780 and 260 and 1,546 and 248 words respectively.
Each verdict names the chapter’s single worst flaw, with evidence. Quoted verbatim from run ‘first’.
The chapter repeatedly says its subtext out loud — Brett's \"You're the only one that matters, and you're the one I can't do anything about\" and Georgette's \"You're just sad\" — while the descriptive passages swell into adjective-laden lyrical catalogues, both of which break the flat restraint the voice depends on.
The chapter is badly overlong for its content — padded with scenery, recapitulation, and repeated Poirot flourishes — and the padding papers over an internal timeline hole in which a continuously narrated early morning somehow arrives at quarter past eleven only because the brief's end state demands late morning.
The chapter breaches the brief by bringing Miss Rachel physically home at ten o'clock, and compounds it by relocating her birthday to 'tomorrow, the twenty-sixth' against the established 'next month', so the one character the brief ordered kept offstage warps both the rules and the timeline.
The Renfield scene converts the required question about Miss Westenra into an openly uncanny mystery — wind-borne whispers "when the sun goes down" and Seward's "unaccountable horror" with no rational explanation — thereby hinting at the supernatural the brief expressly forbade.
Automated screening results across the ten outputs.