The Standings → Gemini 3.1 Pro
high reasoning effort · via Antigravity CLI · judged by Fable 5 and Gemini 3.7 Flash and GPT-5.6 Sol
Results from run ‘first’: ten items, 30 verdicts.
The record: 10 items · 30 verdicts · 0 errors · 2,792 words on average · est. generation cost $2.26
Six dimensions, each marked 1–5, averaged over ten items and all judges.
Mean craft mark by dimension · 30 verdicts, run ‘first’
Momentum is the strongest dimension (3.23); prose the weakest (2.77). Hover or focus a bar for the per-judge means.
Each item receives one verdict from each judge; the spread of the dots is the disagreement.
Headline score per item, by judge · run ‘first’
| Item | Headline | Fable 5 | Gemini 3.7 Flash | GPT-5.6 Sol | Words |
|---|---|---|---|---|---|
| The Sun Also Rises item 021 · after ch. 3 · Ernest Hemingway | 0.57 | 0.58 | 0.67 | 0.46 | 2,781 |
| The Moonstone item 011 · after ch. 8 · Wilkie Collins | 0.53 | 0.55 | 0.62 | 0.40 | 3,235 |
| The War of the Worlds item 006 · after ch. 1 · H. G. Wells | 0.51 | 0.45 | 0.63 | 0.46 | 2,929 |
| Leave It to Psmith item 022 · after ch. 3 · P. G. Wodehouse | 0.51 | 0.63 | 0.47 | 0.41 | 3,101 |
| Red Harvest item 023 · after ch. 2 · Dashiell Hammett | 0.47 | 0.63 | 0.50 | 0.28† | 2,600 |
| The Awakening item 016 · after ch. 7 · Kate Chopin | 0.42 | 0.44 | 0.50 | 0.33 | 1,726 |
| The Mysterious Affair at Styles item 017 · after ch. 3 · Agatha Christie | 0.42 | 0.53 | 0.42 | 0.32 | 3,088 |
| The Secret Garden item 013 · after ch. 2 · Frances Hodgson Burnett | 0.41 | 0.46 | 0.46 | 0.32 | 2,367 |
| Persuasion item 001 · after ch. 1 · Jane Austen | 0.41 | 0.40 | 0.47 | 0.36 | 2,986 |
| Dracula item 015 · after ch. 5 · Bram Stoker | 0.38 | 0.42 | 0.42 | 0.30 | 3,112 |
† The widest judge split in the run: Fable 5 0.63 against GPT-5.6 Sol 0.28 on Red Harvest (item 023).
Words written per item, against each brief’s maximum.
Word count per item vs. brief maximum · run ‘first’
Three of ten items landed inside their brief’s word range. The Sun Also Rises and The Moonstone and The War of the Worlds and Leave It to Psmith and The Mysterious Affair at Styles and Persuasion and Dracula ran over by 181 and 435 and 329 and 301 and 288 and 386 and 512 words respectively.
Each verdict names the chapter’s single worst flaw, with evidence. Quoted verbatim from run ‘first’.
The chapter turns its figures into mouthpieces for its theme—most damagingly the silent lady in black, who becomes a gothic oracle intoning \"One must not listen too closely to its sighing,\" and Robert, whose \"waiting for the sea to call her by some new name\" announces Edna's awakening instead of letting it surface, flattening Chopin's obliquity into statement.
The chapter transcribes the brief straight into the narration — "He did not step forward to embrace her, nor did he offer a single word of comfort or explanation," "He said almost nothing to Mary," and a final sentence that repeats the required end state verbatim — so the mandated beats read as announced checklist items rather than dramatised story.
Bloated, cliché-heavy prose — the Koehler letter restates the delay four times and Seward's entry piles on stock melodrama (\"chilled the very marrow in my bones,\" \"the liquid tasted like ash\") — which both busts the length cap and turns his clinical phonograph voice into gothic hand-wringing that strains the no-supernatural-hint prohibition.
Nearly the whole council is rendered as summarised indirect discourse with every motivation explained at essay length — most damagingly Elizabeth's paragraph-long rationale — so the chapter tells its drama rather than staging it, then lurches into un-Austenian melodrama the one time Sir Walter is given direct speech.
Automated screening results across the ten outputs.